Graduated from the National Conservatory of Music of Lyon, winner of international chamber music competitions, Alice Piérot turned to baroque music in 1988, becomes a member of the Musicians of the Louvre (Marc Minkowski) and will be their solo violin for many years. She is since 2004 the First Violin of the Concert Spirituel (Hervé Niquet).
Privileged partner of the Amarillis Ensemble, she devotes a large part of her activity to chamber music with in particular Les Veilleurs de nuit, the Anpapié string trio and in duet with the piano-fortist Aline Zylberajch.
Alice Piérot teaches at the conservatory of Aix-en-Provence, animating the orchestra and baroque violin classes, records for many French and European radios, and has a rich discography of more than forty recordings, among which that of Rosary Sonatas de Pepper (label Alpha), awarded in 2003 a Diapason d’or of the year.
Country girl and builder, she invests in 2002 an old factory near Avignon and transforms it into a vast musical vessel, The belt, which today hosts concerts, residential homes, creations and recordings, experimenting with new forms of dissemination and practices of music, from the oldest to the most contemporary.
She has participated in several CD recordings of the Ensemble Amarillis: Ferveur et Extase (Ambronay Editions, 2011), Rameau– Cantatas and Harpsichord Pieces in concert (Naïve, 2014), Antoine Dauvergne / Gérard Pesson: Les Troqueurs and La Double Coquette (NoMadMusic, 2015), Pergolesi – Stabat Mater (Sony classical, 2016) , Effervescence concertante (Evidence classics, 2017) and Handel – Melodies in Mind (Evidence classics, 2018), Florilège Baroque (Evidence Classcis, 2019), Facets of Folly (Harmony of the World, 2020), Jubilation Vénitienne (Wonder, 2022), Elisabeth Jacquet de la Guerre, Reservations at the Grand Théâtre d'Angers (Evidence Classics).